Showing posts with label Patti Smith. Show all posts
Showing posts with label Patti Smith. Show all posts

Wednesday, January 19, 2011

A Special Book: "Just Kids" by Patti Smith

Patti Smith's memoir "Just Kids", is so intimate, I felt like she was looking at me while I was reading it.  Her story of New York bohemians living in an atmosphere of self-discovery and commitment to art made a gentle and indelible impression on me. 

It was a world I have romanticized; one that I yearned to have been a part of.  The late 1960's. A time of creative, social and political ferment. 

It was a world of Andy Warhol and "Midnight Cowboy";  a world of Automats and Nathan's hot dogs and poverty and idealism; of the Chelsea Hotel and the Factory; of Janis Joplin and Sam Shepard and Alan Ginsburg and Viva and so many others still finding their way; of "Hair" and Woodstock, Jim Morrison and Jimi Hendrix.

Of 1967, 1968, the drug culture and poetry and turning discarded objects into works of art.


(Names are dropped casually, like they were just neighbors.  Names and places that are are heavy with significance, that blossom with nostalgic connotations.)

Of mysticism and fashion, and books and art and sexual discovery and anything goes.

The world of Patti Smith and Robert Mapplethorpe.


This is Patti Smith's story of her days as a young artist, moving to New York to pursue her poetic dreams.  Living on the street, she meets the charming and sexually ambiguous Mapplethorpe, and thus begins their sweet loving friendship, and a vow that they would always be there for each other.

Amid their developments, their triumphs, their failures, their artistic experiments and soul-searching, their separate love affairs, their travels and their squalid rooms which they made into a home, they kept that vow.

These two people, with the souls of poets, one a future rock star and the other a soon-to-be photographer-provocateur, supported one another's fledgling artistic visions.

Among many other things, this is a terrific story of love and friendship.


The writing here is exquisite.  I hung on every sentence, written simply, clearly, bejeweled with detail of the everyday as well as the unusual.


I loved her delicate descriptions of their processes of creating art;  and pondered with awe their philosophies.  For Mapplethorpe, art was like holding hands with God and singing.  For Smith, the challenge is to create something significant, as art must illuminate.


Smith  describes her family and that of Mapplethorpe's, creating  full portraits in small sketch-lines.  Both came from religious backgrounds, which each rejected, but that yet still infused their art.  She perfectly blends this straightforward personal narrative with musings on creativity that went straight to my core and inspired me.


I especially adore Patti Smith's love for the book as an object of art, as well as a vessel for artistic expression.  She describes having supported herself by working in various bookstores and by buying obscure books and selling them to collectors for profit.  I was proud to see her champion the humble book, which I maintain will not soon die.

"Just Kids" is a marvelous, special work about creative struggle and poetry and finding ones' artistic soul, set in a time period which always fascinates me.  It is certainly one of the best memoirs I have ever read. 

I loved this book.  It rightly deserved to win this year's National Book Award.

And it put me in the right frame of mind for my next series: The Movies and Oscars of the Year 1970.

Thursday, November 18, 2010

National Book Award Winners: A Long Shot and a Sentimental Favorite


Award Season continues with the announcement of The National Book Awards Tuesday of this week.



Awards like this help draw attention to literary works that would otherwise go unnoticed by the general reading public.  While an award is no guarantee of unimpeachable artistic quality, it helps define the cultural and artistic preferences of the moment, and I think literary awards like NBA and the Pulitzer (in April) at least attempt to recognize something lasting and universal. 

This year's winners in the Fiction and Non-Fiction categories are notable.

The Fiction Prize was awarded to Jaimy Gordon for her novel about the world of cheap horse racing, "Lord of Misrule."  Gordon was considered the darkest of dark-horses, so to speak.  She herself felt she was a long-shot from the start.  Gordon's publisher pushed her to finish her tale of lowlifes, losers, and one remarkable woman who loves horses, in time to be submitted for nomination for the Award.  Gordon thought he was crazy.  Finish she did, and was surprised to be among the five finalists...and the eventual winner.  The book is starting to gain a solid critical reputation. 

(Other Fiction finalists were: Peter Carey, "Parrot and Olivier in America"; Nicole Krauss, "Great House"; Lionel Shriver, "So Much for That"; and Karen Tei Yamashita, "I Hotel".)



The Non-Fiction Award went to artist, performer and punk icon Patti Smith for "Just Kids", the story of her friendship with gay photographer Robert Mapplethorpe.  The book has been widely praised, and is definitely on my short list of must-reads.

Smith gave a heartfelt, tearful thank-you to nearly 1300 attendees, as reported in the story on NPR:
"I have loved books all my life," she said, reminiscing about her time as a clerk at New York's Scribner bookstore. "I dreamed of having a book of my own, of writing one that I could put on a shelf."
Smith also...gave a teary defense of the book as a physical object. "There is nothing more beautiful than the book," she said. "Please don't abandon the book." The applause in the room after her speech was close to thunderous...and Smith seemed to win two awards at once: an NBA medal, and the room's heart.
(Other Non-Fiction finalists were: Barbara Demick, "Nothing to Envy: Ordinary Lives in North Korea"; John W. Dower, "Cultures of War: Pearl Harbor, Hiroshima, 9-11, Iraq"; Justin Spring, "Secret Historian: The Life and Times of Samuel Steward"; and Megan K. Stack, "Every Man in This Village Is a Liar: An Education in War".)